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Annotations - a working manifesto [Nov. 17th, 2011|05:41 pm]
The annotation problem fascinates me. It's an amazing opportunity to create a new and incredible, almost unimaginably rich way to experience content in the digital domain.

I can easily describe what I envision in terms of the digital content delivery options today, and it seems like what I imagine is not a stretch for the contemporary Kindle, iPad, or Nook. The experience would include at least the following abilities:
  • to annotate a text I'd purchased electronically as easily as I can circle words, highlight or underline passages, or write notes in the margins of a physical book - no matter which platform;
  • to attach exclusive luxuries of the digital domain to specific parts of a text, be it hyperlinks, media, or a reference to someone else's annotation on the same part;
  • to easily migrate my annotations from an older edition to a newer edition of the text;
  • to share my annotations with or, indeed, receive annotations from my friends via my preferred intermediary - be it as basic as email or as socially structured as Facebook and Google+ - without having to share more than a reference to the version of the text on which the annotations are based and/or a link to the annotations themselves;
  • to have whole conversations around passages captured as annotations, or even conversations about annotations.
What do we have to do to get there?

Consider a physical book. I never had to look far for an example - my parents' office shelves are filled with tomes and volumes of all shapes and sizes. Both retired language teachers and former Comparative Literature doctoral candidates, over time my parents filled the pages of their collection with at least half a lifetime's worth of margin notes, not to mention streams of underlined text. The end product? An invaluable resource of their own personalized "Cliff notes," customized to their needs and wants - annotations, from which they derived countless essays, a dissertation or two, and in the end an entire career of teaching others how to really read and thoughtfully write.

Far from a limited academic exercise in capturing thought, the process and purpose of annotating one's reading is wide-ranging. Fundamental to recall and abstraction, annotations on a text serve crucial functions in reading, interpreting, discussing, critiquing, reviewing, and studying a text with the ultimate goal of assimilating or learning its content or deriving from it some useful, practical knowledge either in isolation or in connection with other texts or knowledge.

Any doubt on the value of annotations will be dispelled quickly enough with a visit to the average college campus, where dorm room shelves heavy with "required texts" can be found, each volume dog-eared and marked up, its temporary owner's grades directly proportional to the quantity and quality of text underlined or highlighted or notes scrawled in the margins and reviewed before tests and essays.

We've also already evolved annotations beyond the one-way, static, personal response note to an authoritative text: the web is replete with blog upon blog, alongside respected publications, offering users not only the ability to comment on content but also the facility to interact with other commenters - blurring the line between margin notes and class discussion - on just about every imaginable topic. In the process, we learn each other's perspectives and advance understanding to an extent previously impossible without the medium of the internet, or at least outside the austerity of a classroom and the formality of convened meetings.

With the right tools, it's not difficult to imagine a virtual book club as the shape of the classroom of the future.

The development of tools to support new ways to experience text-based content might, fortunately, be under way. Let's just hope it's the "right" way! I think the tools that will successfully transform the experience through mass-adoption will ultimately be based on openly standardized approaches to some critical challenges:
  • Specificity vs. detachability - tying annotations to a particular piece of digital text, without embedding them in the text's container. We see this frequently now with video and audio content on the web - what are the barriers to doing it effectively for text content?
  • Continuity - easily replicate or migrate annotations across editions of a text.
  • Sociability - easily share notes across social and reading platforms.
There are probably others - and they are interdependent. For example, any annotations created on my iPad for a particular edition of a book should be shareable with my Facebook friends reading the same edition, no matter what reader they use. There will have to be tools and standards to support this, or we'll have great difficulty getting to the point where we can see our friends' comments on a text alongside it as we're reading it!
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On friendship... [Sep. 24th, 2010|12:18 pm]
Good friends make you feel safe.
Better friends challenge you.
The best friends help you succeed.
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Well... [Sep. 10th, 2010|06:08 pm]
...long live the new layout. Yay. Or whatever...
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Ugh [Sep. 10th, 2010|04:11 pm]
The current layout in my journal is dead.

Boo.
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Earl [Sep. 10th, 2010|04:10 pm]
The tapping on a desk in
a cube close enough for listenin'
Reminds me, rings close in my mind
To knocking on a door

Tapping on near desk reminds me

The hurricane is knocking
The juggernaut's advancing
We are retreating

Inexorable
Its eye will pass the city
Not too close
But not too distant
Wetting us with rain

Upon our return
Despite all the churn
Of weathermen, people,
Of wind and of rain
We find

It whimpered along
Too big to ignore
Too small not to fail
And to disappoint

This lover of spectacular weather.
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Twitter... [Mar. 2nd, 2010|08:56 am]
Ave Maria Twitter

Hail Twitter, full of grace
Relevance is with thee
Blessed art thou among web tools,
And blessed is the fruit of thy womb, knowledge.

Holy Internetz, Mother of all Tweets,
Pray for us Twits,
Now and at the hour of our next reTweet.

Enter.

[Gingerly borrowed, as these things go, from mcgilles via [info]tournevis; translation and augmentation by me. Other renditions welcome.]

For those lacking context: this is a parody of the "Hail Mary" prayer common in the Catholic church:

Hail Mary, full of grace,
the Lord is with thee.
Blessed art thou among women,
and blessed is the fruit of thy womb, Jesus.

Holy Mary,
Mother of God,
pray for us sinners,
now and at the hour of our death.

Amen.
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Life, through fortune cookies [Mar. 1st, 2010|12:00 pm]
Received in the past year:

Patience is the best remedy for every trouble.
Cherry - ying- tao` 樱桃
30, 3, 5, 45, 51, 17

Your ingenuity and imagination will get results.
Pear - li' si 梨子
50, 6, 4, 36, 8, 3

Seems people like to give advise, but not listening to their own.
Watermelon - xi- gua- 西瓜
12, 10, 32, 50, 8, 46

Ask advise, but use your own common sense.
Watermelon - xi- gua- 西瓜
10, 28, 20, 12, 1, 29

You were born to be a leader, not a follower.
Vegetable - shu- cai` 蔬菜
27, 49, 41, 19, 36, 46

We grow great by dreams. All big men are dreamers.
To see a doctor - kan` bing` 看病
28, 36, 5, 46, 56, 38

You are admirable, for you remained firm even when troubled by personal relationships.
Be invited - zuo` ke` 做客
34, 16, 20, 14, 48, 31

(In bed?)
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I was up til 3am last night... [Dec. 1st, 2009|09:19 am]
...so why am I not tired?

I am, in fact, feeling more energetic this morning than I have in weeks.

I'm just *waiting* for it to get to me later on in the day. Oh well. Must get on with it.
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"TSN" [Oct. 28th, 2009|10:31 am]
Here's a groaner.

First, the background )
I have for the last week or so been seeing some of these placards, with the initials "TSN" on them, on the south bank of the Charles at the level of Brighton/Newton/Watertown - different from the "ZEPHYR" placards on the north bank (Watertown Square) directing traffic for that production up Mt. Auburn St. towards Harvard Sq. With my curiosity piqued last week by rumors of Ben Affleck and his new Boston-based movie filming around Harvard Square (last Wednesday JFK street was blocked between MA Ave and Mt. Auburn, with film production equipment lining the streets), and not yet knowing that movie's name, I finally had the chance this morning to do some internet sleuthing and sate my curiosity.

Ben Affleck's movie is called The Town. But that's just a side note. And I have no further clues about ZEPHYR.

The "TSN" movie from the placard I pointed out to some lunch companions yesterday on our way back to the office is apparently "The Social Network."

Must be filming in part on the Charles River - I found this out very randomly, from a footnote in the weekly Community Rowing e-newsletter, about river closings.

According to IMDB... TSN's going to be "a story about the founders of the social-networking website, Facebook." Oh boy.

But wait, it gets better.

The production is set to star, among others, Justin Timberlake as Napster co-founder Sean Parker (not to be confused with Napster's more notorious creator, Shawn Fanning). I kid you not.

http://www.imdb.com/title/tt1285016/

*eye roll*
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Finished the book Friday night... [Oct. 27th, 2009|05:13 pm]
...but not before starting another. Woops! I had temporarily forgotten that I was into Neuromancer, during a down moment on my Monday off after the Head of the Charles, and dug into another novel. I came back to Neuromancer quickly enough, though.

I finished it while [info]xrsblu was still at work. It was quite the story to digest... but it's easy to see where several other stories got their inspiration, in particular the Matrix movies but also Max Headroom and a couple other iconic sci-fi works of the 80's and 90's. There are some specific gem-worthy tie-ins/cameos (like 'microsofts,' Zion, and old-school landlines ringing) that stand out as plums in retrospect, but also some healthy anachronisms that - for all the avant-guard thought that went into its writing - make the book fun and wonky (for example, where are cell phones?). It's nevertheless pretty awesome to look back 25 years and admire the prescient detail in light of things that have come online or into the mainstream since Neuromancer was written.

One thing that stuck out like a sore thumb upon further digestion, though, is a striking similarity with the book Contact, by Carl Sagan, published a year later in 1985. Without spoiling it... well, my surprise is this - what is it with the "beach scene" in these books? They're almost an identical experience for the story's climax involving the central character. Was there a connection?
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